The contribution of the local cultural association to the present - day celebration of traditional carnival custom of lighting the fanoi bonfires in the Kozani region of Greece

• Autorzy: Filippou F.
• Języki publikacji: EN

Abstrakty

EN

• Wydawca: -
• Czasopismo: Studies in Physical Culture and Tourism
• Rocznik: 2012
• Tom: 19
• Numer: 4
• Opis fizyczny: p.201-206,ref.

Twórcy

autor

Filippou F.

• Department of Physical Education and Sports Sciences, Democritus University of Thrace Komotini, Komotini, 69100, Greece

Bibliografia

• 1. Loukatos D. Introduction to Greek Folklore. Athens: Cultural Foundation of National Bank; 1992.
• 2. Kiourtsakis G. Carnival and Karatziozis. Athens: Kedros; 2003.
• 3. Meraklis M. Ethnographie grecque. Athens: Odysseas; 1986.
• 4. Varvounis M. Developments and transformations in Greek tradition¬al culture. Athens: Fragmenta; 1995.
• 5. Aspraki A, Karagatsiot Voluntary Associations: Out of love for our vil¬lage. Journal of Modern Greek Studies. 2004; 22: 137-172.
• 6. Manos I. Dancing Instances, Identity Demonstration and Culture Ap¬propriation in the South Balkans. In: Dancing and Cultural Identities in the Balkans, Proceedings of the 3rd Conference on Popular Culture. 2006: 401-408.
• 7. Manos I. Dancing and Orchestration of Locality: Politics, Politicians as vehicles of Authority and Cultural Associations as Managers of Cul¬ture. In: Avdikos E, ed., Popular Cultures and Frontiers in the Balkans. Athens: Pedio. 2010; 223-246.
• 8. Raptis V. The Carnival in Kozani: From ritual to spectacle. Unpublished M.A. thesis. School of Philosophy: Dept. of History-Archaeology, Uni¬versity of Ioannina. 2007.
• 9. Laburthe-Tolra Ph, Warnier JP. Ethnology and Anthropology. Athens: Kritiki; 2003.
• 10. Gefou-Madianou D. Civilization and ethnography. From Ethnograph¬ic Realism to Cultural Criticism. Athens: Ellinika Grammata; 1999.
• 11. Buckland JTh. (Re) Constructing Meaning: The dance ethnographer as keeper of the truth. In: Buckland JTh, ed., Dance in the field, Theo¬ry Methods and Issues in Dance Ethnography. Great Britain: Macmil- lan Press; 1999: 196-207.
• 12. Giurchescou A. Past and Present in Field Research: a Critical History of Personal Experience. In: Buckland JTh, ed., Dance in the field, The¬ory Methods and Issues in Dance Ethnography. Great Britain: Mac- millan Press; 1999: 41-54.
• 13. Kaeppler A. The mystique of Fieldwork. In: Buckland JTh, ed., Dance in the field, Theory Methods and Issues in Dance Ethnography. Great Britain: Macmillan Press; 1999: 13-25.
• 14. Lydaki A. Qualitative methods in social research. Athens: Kastaniotis; 2001.
• 15. Thompson P. The voice of the past: Oral history. Athens: Plethron; 2002.
• 16. Iliadis I. La femme et la danse à Meliki Imathias, processing of the 6th International conference on dance research. Athens: I.O.F.A. 1992: 61-74.
• 17. Spiliotopoulou C. Représentation des sexes et concurrences sociales à travers la danse. Processing of the 6thInternational conference on dance research. Athens: I.O.F.A. 1992: 61-74.
• 18. Filippou F. Factors of representation of traditional dance in Modern Greece: The case of the Imathia prefecture. Unpublished doctoral dissertation, Democritus University of Thrace. Komotini; 2002.
• 19. Serbezis V. A comparative study of methods of teaching of tradition¬al dance to students aged 9-11 years, unpublished doctoral disserta¬tion, Democritus University of Thrace. Komotini; 1995.
• 20. Guilscher JM. La tradition de danse en Béarn et en Pays Basque fran¬çais. Paris: Maison des Sciences de l'home; 1984.