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2012 | 31 | 4 |

Tytuł artykułu

Rethinking the connection between creative clusters and city branding: the cultural axis of Piraeus Street in Athens.

Warianty tytułu

Języki publikacji

EN

Abstrakty

EN

Słowa kluczowe

Wydawca

-

Rocznik

Tom

31

Numer

4

Opis fizyczny

p.87-97,fig.,ref.

Twórcy

  • Department of Planning and Regional Development, University of Thessaly, Pedion Areos, 38334 Volos, Greece
autor
  • Department of Planning and Regional Development, University of Thessaly, Pedion Areos, 38334 Volos, Greece

Bibliografia

  • Ashworth G.J., 2010. Personality association as an instrument of place branding: Possibilities and pitfalls. In: Ashworth G.J & Kavaratzis M.(eds), Towards effective place brand management: Branding European cities and regions. Edward Elgar Publishing, Cheltenham, 285-303.
  • Bagwell S., 2008. Creative clusters and city growth. Creative Industries Journal, 1: 31-46.
  • Bataglia A. & Tremblay D., 2011. El Raval and Mile End: A comparative study of two cultural quarters in Barcelona and Montreal. Between urban regeneration and creative clusters. Research note no 2011-1A, Canada Research Chair on the Socio-Organizational Challenges of the Knowledge Economy, University of Quebec, Quebec.
  • Beriatos E. & Gospodini A., 2004. Glocalizing urban landscapes - Athens and the 2004 Olympics. Cities, 21 (3): 187-202.
  • Braun E., 2011. Putting city branding into practice. Journal of Brand Management, 19 (4): 257-267.
  • Camagni R., 1991. Introduction: from the local 'milieu' to innovation through cooperation networks. In: Camagni R. (ed.), Innovation networks: Spatial perspectives. Belhaven Press, London, 1-9.
  • Cameron S. & Coaffee J., 2005. Art, gentrification and regeneration - from artist as pioneer to public arts. European Journal of Housing Policy, 5 (1): 39-58.
  • Chap ain C. & Comunian R., 2010. Enabling and inhibiting the creative economy: The role of the local and regional dimensions in England. Regional Studies, 44 (6): 717-734.
  • Comunian R., 2011. Rethinking the creative city: The role of complexity, networks and interactions in the urban creative economy. Urban Studies, 48 (6): 1157-1179.
  • Cooke P., 2008. Culture, clusters, districts and quarters: Some reflections on the scale question. In: Cooke P. & Lazzeretti L. (eds), Creative cities, cultural clusters and local economic development. Edward Elgar, Cheltenham: 25-47.
  • Dean C., Donnellan C. & Pratt A.C., 2010 Tate Modern: Pushing the limits of regeneration. City, Culture and Society, 1 (2): 79-87.
  • Deffner A., Metaxas T., 2008. Is city marketing opposed to urban planning? The elaboration of a pilot city marketing plan for the case of Nea Ionia, Magnesia, Greece. In: Psycharis Y. & Skayannis P. (eds), The contexts, dynamics and planning of urban development. University of Thessaly Publications, Volos: 129-160.
  • Degen M., 2008. Sensing cities: Regenerating public life in Barcelona and Manchester. Routledge, London.
  • Degen M., 2010. Consuming urban rhythms: Let's ravalejar. In: Edensor T. (ed.), Geographies of rhythm. Ashgate, Aldershot: 21-32.
  • Ebert R. & Kunzmann K., 2007. Kulturwirtschaft, kreative Raume und Stadtentwicklung in Berlin. DISP, 171 (4): 64-79.
  • Evans G., 2009. From cultural quarters to creative clusters: Creative spaces in the new city economy. In: Legner M. & Ponzini D. (eds), The sustainability and development of cultural quarters: International perspectives. Institute of Urban History, Stockholm: 32-59.
  • Florida R., 2002. The rise of the Creative Class: And how it's transforming work, leisure, community and everyday life. Basic Books, New York.
  • Ginati E., 2011. The role of cultural quarters in urban regeneration: Gazi. Unpublished master's thesis, Panteion University, Athens.
  • Goni K. & Deffner A., 2011. The transformation of former industrial areas into cultural and leisure quarters: The case of Gazi in Athens. Paper at the Hellenic ERSA Conference Regional Development and Economic Crisis, Panteion University, Athens, CD-ROM (in Greek).
  • Gospodini A., 2006. Portraying, classifying and understanding the emerging landscapes in the post-industrial city. Cities, 23 (5): 311-331.
  • Gospodini A., 2009. Post-industrial trajectories of Mediterranean European cities: The case of post-Olympics Athens. Urban Studies, 46 (5-6): 1157-1186.
  • Harris A.J., 2011. Branding Hoxton: Cultural landscapes of postindustrial London. In: Pike A. (ed.), Brands and branding geographies. Edward Elgar, London: 187-199.
  • Heebels B. & Van Aalst I., 2010. Creative clusters in Berlin: Entrepreneurship and the quality of place in Prenzlauer Berg and Kreuzberg. Geografiska Annaler, Human Geography Series, 92 (4): 347-363.
  • Hesmondhalgh D. & Pratt A.C., 2005. Cultural industries and cultural policy. International Journal of Cultural Policy, 11 (1): 1-13.
  • Iveson K., 2010. Graffiti , street art and the city: Introduction. City, 14 (1-2): 25-32.
  • Karachalis N., 2007. Culture and local development: The role of cultural quarters and tourist areas in the contemporary city. PhD thesis, Panteion University of Athens, Athens (in Greek).
  • Karachalis N., 2011. The regeneration of inner city neighbourhoods and the role of cultural industries: The case of Psiri in Athens. In: Cremaschi M., Eckhard F., (eds),
  • Changing places, urbanity, citizenship, and ideology in the new European neighbourhoods. Techne Press, Amsterdam, 142-159.
  • Kavaratzis M. & Ashworth G.J., 2005. City branding: An effective assertion of identity or a transitory marketing trick? Tijdschrift voor Economische en Sociale Geografie, 96 (5): 506-514.
  • Koekebakker O., 2003. The Westergasfabriek Cultural Park, the transformation of a former industrial area. NAI Publishers, Rotterdam.
  • Kotler P., Asplund C., Rein I. & Haider H.D., 1999. Marketing places Europe: Attracting investments, industries and visitors to European cities, communities, regions and nations. Financial Times Prentice Hall, Harlow.
  • Landry C., 2000. The creative city: A toolkit for urban innovators. Earthscan Publishers, London.
  • Lloyd R., 2004. The neighborhood in cultural production: Material and symbolic resources in the new bohemia. City and Community, 3(4): 343-372.
  • Loukogeorgaki A., Patelida M., Somarakis G & Tziaferi E., 2010. Cultural profile and marketing: The case of Gazi, Metax- ourgheio and Psiri in Athens. Paper, Undergraduate Programme in the Department of Planning and Regional Development, University of Thessaly, Volos (in Greek).
  • Malouta, T., 2007. Segregation, social polarisation and inequality in Athens during the 1990s: Theoretical expectations and contextual difference. International Journal of Urban and Regional Research, 31 (4): 733-758.
  • Maragou D., 2012. Strategies for the re-use of postindustrial buildings for cultural purposes: The Technopolis of the municipality of Athens. Unpublished master's thesis, Hellenic Open University, Patras (in Greek).
  • Markusen A., Gadwa A., 2010. Arts and culture in urban or regional planning: A review and research agenda. Journal of Planning Education and Research, 29 (3): 379-391.
  • MarthCosta M. & Miquel M.P., 2012. The knowledge city against urban creativity? Artists' workshops and urban regeneration in Barcelona. European Urban and Regional Studies, 1: 92-108.
  • Mavratzas V., 2008. Culture and leisure cluster in the postindustrial city: The case of Metaxourghio in Athens. WIT Transactions on Ecology and the Environment, 117: 235-244.
  • McCarthy J., 2006. Regeneration of cultural quarters: Public art for place image or place identity? Journal of Urban Design, 11 (2): 243-262.
  • Miles M., 2004. Drawn and quartered: El Raval and the Haus- mannization of Barcelona. In: Bell D. & Jayne M. (eds), City of quarters: Urban villages in the contemporary city. Ashgate, London, 37-55.
  • Mommaas H., 2002. City branding: The necessity of sociocultural goals. In: Florian B., Mommaas H., Speaks M., Synghel Van K. & Vermeulen M. (eds), City branding, image building and building images. NAI Publishers, Rotterdam, 32-47.
  • Mommaas H., 2004. Cultural clusters and the post-industrial city: Towards the remapping of urban cultural policy. Urban Studies, 41 (3): 507-532.
  • Montgomery J., 2004. Cultural quarters as mechanisms for urban regeneration. Part 2: A review of four cultural quarters in the UK, Ireland and Australia. Planning, Practice & Research, 19 (1): 3-31.
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  • Porter M.E., 1998. Clusters and the new economics of competition. Harvard Business Review, 76: 77-91.
  • Pratt A.C., 2004. Creative clusters: Towards the governance of the creative industries production system? Media International Australia, 112: 50-66.
  • Rains S., 1999. Touring Temple Bar: Cultural tourism in Dublin's cultural quarter. International Journal of Cultural Policy, 6 (1): 1-16.
  • Rigopoulos D., 2012. The crisis kills the historic meeting points of Athens. Kathimerini, 9 March 2012 (in Greek).
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  • Santagata W., 2002. Cultural districts, property rights and sustainable economic growth. International Journal of Urban and Regional Research, 26 (1): 9-23.
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  • Shaw K., 2005. The place of alternative culture and the politics of its protection in Berlin, Amsterdam and Melbourne. Planning, Theory and Practice, 6 (2): 149-169.
  • Smit A., 2011. The influence of district visual quality on decisions of creative entrepreneurs. Journal of American Planning Association, 77 (2): 164-184.
  • Sneed s., Runyan R., Swinney J. & Lim HJ., 2011. Brand, business mix, sense-of-place: Do they matter downtown? Journal of Place Management and Development, 4 (2): 121134.
  • Souliotis N., 2012. Cultural economy, sovereign debt crisis and the importance of local contexts: The case of Athens. Cities (in press).
  • Teegan N, 2010. Are creative classes designed to work with no fixed abode? Occupy Paper 5: 34-38, downloaded from www.occupyspace.com [accessed 30 June 2012].
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  • Zheng J., 2011. Creative industry clusters and the 'entrepreneurial city' of Shanghai. Urban Studies, 48 (16): 35613582.

Typ dokumentu

Bibliografia

Identyfikatory

Identyfikator YADDA

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