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2012 | 31 | 4 |
Tytuł artykułu

Towards a ‘benchmarking raster': a selection of indicators to measure and assess policies for cultural and creative industries.

Warianty tytułu
Języki publikacji
EN
Abstrakty
EN
Słowa kluczowe
EN
Wydawca
-
Rocznik
Tom
31
Numer
4
Opis fizyczny
p.33-42,fig.,ref.
Twórcy
autor
  • KEA European Affairs, 51 rue du Trone, 1050, Bruxelles, Belgium
autor
  • KEA European Affairs, 51 rue du Trone, 1050, Bruxelles, Belgium
autor
  • KEA European Affairs, 51 rue du Trone, 1050, Bruxelles, Belgium
Bibliografia
  • Allin P., 2000. The development of comparable European cultural statistics. Cultural Trends, 37: 66-75.
  • Bakhshi H., McVittie E. & Simmie J., 2008. Creating innovation. Do the creative industries support innovation in the wider economy? NESTA, London.
  • Bonet L., 2004. Reflexiones a propósito de indicadores y estadísticas culturales. Gestion Cultural, 7, April.
  • Centre for Strategy and Evaluation Services (CSES), 2002. Benchmarking of business incubators (Final report). European Commission, DG Enterprise, Brussels.
  • Centre for Strategy and Evaluation Services (CSES), 2010. Study on the contribution of culture to local and regional development - evidence from the Structural Funds. European Commission, DG Education and Culture, Brussels.
  • Csikszentmihalyi M., 1996. Creativity: Flow and the psychology of discovery and invention. HarperCollins, New York.
  • Cunningham P., Robson D. & Neves E., 2008. Mapping of innovation support measures. Pro Inno Europe - Inno Learning Platform, Brussels.
  • Europaid evaluation methodology. Available at: http:// ec.europa.eu/ europeaid/ evaluation/ methodology/ methods/ mth_ind_en.htm
  • European Commission, 2000. Cultural statistics in the EU: Final report of the LEG. Eurostat Working Paper, Brussels.
  • European Commission, 2010. Green paper on unlocking the potential of cultural and creative industries. Brussels.
  • Florida R., 2002. The rise of the Creative Class. Basic Books, New York.
  • Florida R., 2006. The flight of the Creative Class. HarperCollins, New York.
  • Foord J., 2008. Strategies for creative industries: an international review. Creative Industries Journal, 1(2): 91-113.
  • Gertler M.S., Florida R., Gates G. & Vinodrai T., 2002. Competing on creativity: Placing Ontario's cities in North American context. Report prepared for the Ontario Ministry of Enterprise Opportunity and Innovation and the Institute for Competitiveness and Prosperity.
  • Glade W., 2003. Conceptualisation and measurement problems in developing cross-national cultural indicators: A methodological odyssey. Paper prepared for UNESCO/ CONACULTA International Seminar on Cultural Indicators, Centro Nacional de las Artes, Mexico, 7-9 May.
  • Gouiedo L., 1993. Proposals for a set of cultural indicators. Statistical Journal of the United Nations, 10: 227-289.
  • International Federation of Arts Councils and Culture Agencies (IFACCA), 2002. International comparisons of arts participation data. Sydney.
  • International Federation of Arts Councils and Culture Agencies (IFACCA), 2004a. Making crosscountry comparisons of cultural statistics: Problems and solutions. Working paper, Sydney.
  • International Federation of Arts Councils and Culture Agencies (IFACCA), 2004b. Statistical indicators for arts policy: Discussion paper. Sydney.
  • KEA, 2006. The economy of culture in Europe. European Commission, DG Education and Culture, Brussels.
  • KEA, 2009. Study on the contribution of culture to creativity. European Commission, DG Education and Culture, Brussels.
  • KEA, 2010. Study on promoting investment in the cultural and creative sector: Financing needs, trends and opportunities. Commissioned by Nantes Métropole, Brussels.
  • Kotkin J., 2005. Urban legends. The New Republic, 23 May.
  • Lievesley D., 2002. Statistics in the wake of challenges posed by cultural diversity in a globalisation context. International Symposium on Culture Statistics, Montreal, October 21-23.
  • Listening and learning: Community indicator profiles of Knight Foundation communities and the nation, 2001. John S. and James L. Knight Foundation.
  • Malanga S., 2004. The curse of the creative class. City Journal, 14(1): 36-45.
  • Manninen A., 2002. Towards harmonised cultural statistics: Experiences from recent and ongoing projects in Europe. International Symposium on Culture Statistics, Montreal, October 21-23.
  • McCann E., 2007. Inequality and politics in the creative cityregion: Questions of liveability and state strategy. International Journal of Urban and Regional Research, 31: 188-196.
  • OECD, 2010. DAC guidelines and reference series - quality standards for development evaluation. OECD.
  • Porter M.E., 1998. Clusters and the new economics of competition. Harvard Business Review, 76 (6): 77-90.
  • Pratt A.C. & Jeffcutt P. (eds), 2009. Creativity, innovation and the cultural economy. Routledge, London.
  • Rushton M., 2006. The creative class and urban economic growth revisited. Paper prepared for the 14th International Conference of the Association for Cultural Economics International, Vienna, 6-9 July.
  • Sands G. & Reese L.A., 2008. Cultivating the creative class: and what about Nanaimo? Economic Development Quarterly, 22(1): 8-23.
  • Smart Specialisation Platform, 2011. RIS 3 Guide (draft). European Commission, Brussels.
  • Throsby C.D., 2001. Economics and culture. Cambridge University Press, Cambridge.
  • UNCTAD, 2008. Creative economy report 2008. UNCTAD.
  • UNCTAD, 2010. Creative economy report 2010. UNCTAD.
  • Utrecht School of the Arts, 2010. Study on the entrepreneurial dimension of cultural and creative industries. European Commission, DG Education and Culture, Brussels.
Typ dokumentu
Bibliografia
Identyfikatory
Identyfikator YADDA
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