Towards a ‘benchmarking raster': a selection of indicators to measure and assess policies for cultural and creative industries.

• Autorzy: Montalto V. , Iglesias M. , Kern P.
• Języki publikacji: EN

Abstrakty

EN

• Wydawca: -
• Czasopismo: Quaestiones Geographicae
• Rocznik: 2012
• Tom: 31
• Numer: 4
• Opis fizyczny: p.33-42,fig.,ref.

Twórcy

autor

Montalto V.

• KEA European Affairs, 51 rue du Trone, 1050, Bruxelles, Belgium

autor

Iglesias M.

• KEA European Affairs, 51 rue du Trone, 1050, Bruxelles, Belgium

autor

Kern P.

• KEA European Affairs, 51 rue du Trone, 1050, Bruxelles, Belgium

Bibliografia

• Allin P., 2000. The development of comparable European cultural statistics. Cultural Trends, 37: 66-75.
• Bakhshi H., McVittie E. & Simmie J., 2008. Creating innovation. Do the creative industries support innovation in the wider economy? NESTA, London.
• Bonet L., 2004. Reflexiones a propósito de indicadores y estadísticas culturales. Gestion Cultural, 7, April.
• Centre for Strategy and Evaluation Services (CSES), 2002. Benchmarking of business incubators (Final report). European Commission, DG Enterprise, Brussels.
• Centre for Strategy and Evaluation Services (CSES), 2010. Study on the contribution of culture to local and regional development - evidence from the Structural Funds. European Commission, DG Education and Culture, Brussels.
• Csikszentmihalyi M., 1996. Creativity: Flow and the psychology of discovery and invention. HarperCollins, New York.
• Cunningham P., Robson D. & Neves E., 2008. Mapping of innovation support measures. Pro Inno Europe - Inno Learning Platform, Brussels.
• Europaid evaluation methodology. Available at: http:// ec.europa.eu/ europeaid/ evaluation/ methodology/ methods/ mth_ind_en.htm
• European Commission, 2000. Cultural statistics in the EU: Final report of the LEG. Eurostat Working Paper, Brussels.
• European Commission, 2010. Green paper on unlocking the potential of cultural and creative industries. Brussels.
• Florida R., 2002. The rise of the Creative Class. Basic Books, New York.
• Florida R., 2006. The flight of the Creative Class. HarperCollins, New York.
• Foord J., 2008. Strategies for creative industries: an international review. Creative Industries Journal, 1(2): 91-113.
• Gertler M.S., Florida R., Gates G. & Vinodrai T., 2002. Competing on creativity: Placing Ontario's cities in North American context. Report prepared for the Ontario Ministry of Enterprise Opportunity and Innovation and the Institute for Competitiveness and Prosperity.
• Glade W., 2003. Conceptualisation and measurement problems in developing cross-national cultural indicators: A methodological odyssey. Paper prepared for UNESCO/ CONACULTA International Seminar on Cultural Indicators, Centro Nacional de las Artes, Mexico, 7-9 May.
• Gouiedo L., 1993. Proposals for a set of cultural indicators. Statistical Journal of the United Nations, 10: 227-289.
• International Federation of Arts Councils and Culture Agencies (IFACCA), 2002. International comparisons of arts participation data. Sydney.
• International Federation of Arts Councils and Culture Agencies (IFACCA), 2004a. Making crosscountry comparisons of cultural statistics: Problems and solutions. Working paper, Sydney.
• International Federation of Arts Councils and Culture Agencies (IFACCA), 2004b. Statistical indicators for arts policy: Discussion paper. Sydney.
• KEA, 2006. The economy of culture in Europe. European Commission, DG Education and Culture, Brussels.
• KEA, 2009. Study on the contribution of culture to creativity. European Commission, DG Education and Culture, Brussels.
• KEA, 2010. Study on promoting investment in the cultural and creative sector: Financing needs, trends and opportunities. Commissioned by Nantes Métropole, Brussels.
• Kotkin J., 2005. Urban legends. The New Republic, 23 May.
• Lievesley D., 2002. Statistics in the wake of challenges posed by cultural diversity in a globalisation context. International Symposium on Culture Statistics, Montreal, October 21-23.
• Listening and learning: Community indicator profiles of Knight Foundation communities and the nation, 2001. John S. and James L. Knight Foundation.
• Malanga S., 2004. The curse of the creative class. City Journal, 14(1): 36-45.
• Manninen A., 2002. Towards harmonised cultural statistics: Experiences from recent and ongoing projects in Europe. International Symposium on Culture Statistics, Montreal, October 21-23.
• McCann E., 2007. Inequality and politics in the creative cityregion: Questions of liveability and state strategy. International Journal of Urban and Regional Research, 31: 188-196.
• OECD, 2010. DAC guidelines and reference series - quality standards for development evaluation. OECD.
• Porter M.E., 1998. Clusters and the new economics of competition. Harvard Business Review, 76 (6): 77-90.
• Pratt A.C. & Jeffcutt P. (eds), 2009. Creativity, innovation and the cultural economy. Routledge, London.
• Rushton M., 2006. The creative class and urban economic growth revisited. Paper prepared for the 14th International Conference of the Association for Cultural Economics International, Vienna, 6-9 July.
• Sands G. & Reese L.A., 2008. Cultivating the creative class: and what about Nanaimo? Economic Development Quarterly, 22(1): 8-23.
• Smart Specialisation Platform, 2011. RIS 3 Guide (draft). European Commission, Brussels.
• Throsby C.D., 2001. Economics and culture. Cambridge University Press, Cambridge.
• UNCTAD, 2008. Creative economy report 2008. UNCTAD.
• UNCTAD, 2010. Creative economy report 2010. UNCTAD.
• Utrecht School of the Arts, 2010. Study on the entrepreneurial dimension of cultural and creative industries. European Commission, DG Education and Culture, Brussels.

Identyfikatory

DOI

10.2478/v10117-012-0033-5