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2015 | 34 | 2 |
Tytuł artykułu

Location patterns and location factors in the cultural and creative industries

Treść / Zawartość
Warianty tytułu
Języki publikacji
EN
Abstrakty
EN
Słowa kluczowe
Wydawca
-
Rocznik
Tom
34
Numer
2
Opis fizyczny
p.7-27,fig.,ref.
Twórcy
autor
  • Institute of Socio-Economic Geography and Spatial Management, Adam Mickiewicz University in Poznan, Poznan, Poland
  • Institute of Socio-Economic Geography and Spatial Management, Adam Mickiewicz University in Poznan, Dziegielowa 27, 61-680 Poznan, Poland
Bibliografia
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  • Bakhshi H., Hargreaves I., Mateos-Garcia J., 2013. A manifesto for the creative economy. Nesta, London.
  • Bathelt H., Jentsch C., 2002. Die Entstehung eines Medienclusters in Leipzig: Neue Netzwerke und alte Strukturen. In: Gräf P., Rauh J. (eds), Networks and Flows: Telekommunikation zwischen Raumstruktur, Verflechtung und Informationsgesellschaft. LIT Verlag, Hamburg and Münster: 31–74.
  • Bertacchini E. E., Borrione P., 2013. The geography of the Italian creative economy: The special role of the design and craft-based industries. Regional Studies 47(2): 135–147.
  • Boix R., Lazzeretti L., Capone F., De Propris L., Sánchez D., 2013. The geography of creative industries in Europe: Comparing France, Great Britain, Italy and Spain. In: Lazzeretti L. (ed.), Creative industries and innovation in Europe: Concepts, measures and comparative case studies. Routledge, London: 23–44.
  • Boix R., Lazzeretti L., Hervás-Oliver J. L., De Miguel-Molina B., 2011. Creative clusters in Europe: A microdata approach. European Regional Science Association, Barcelona.
  • BOP Consulting, 2010. Kreatywna gospodarka i przemysły kultury. Część 2: Mapowanie sektorów kreatywnych: Narzędzia (Creative economy and cultural industries. Part 2: Mapping creative sectors: Tools). British Council, London.
  • Caves R. E., 2000. Creative industries: Contracts between art and commerce. Harvard University Press, Cambridge.
  • Champion K., 2010. Hobson’s choice? Constraints on accessing spaces of creative production in a transforming industrial conurbation. Creative Industries Journal 3(1): 11–28.
  • Currid E., 2007. The Warhol economy: How fashion, art, and music drive New York City. Princeton University Press, Princeton.
  • Dahlström M., Hermelin B., 2007. Creative industries, spatiality and flexibility: The example of film production. Norsk Geografisk Tidsskrift – Norwegian Journal of Geography 61(3): 111–121.
  • DCMS, 1998. Creative industries mapping document. Department for Culture, Media and Sport, London.
  • DCMS, 2007. Staying ahead: The economic performance of the UK’s creative industries. Department for Culture, Media and Sport, London.
  • DCMS, 2014. Creative industries economic estimates. Department for Culture, Media and Sport, London.
  • De Vaan M., Boschma R., Frenken K., 2013. Clustering and firm performance in project-based industries: The case of the global video game industry, 1972–2007. Journal of Economic Geography 13(6): 965–991.
  • Domański B., 2004. Nowe idee w światowej geografii społeczno-ekonomicznej (New ideas in world socio-economic geography). In: Chojnicki Z. (ed.), Geografia wobec problemów teraźniejszości i przyszłości. Bogucki Wydawnictwo Naukowe, Poznań: 169–190.
  • Drake G., 2003. This place gives me space: Place and creativity in the creative industries. Geoforum 34(4): 511–524.
  • EC, 2010. Green paper: Unlocking the potential of cultural and creative industries. European Commission, Brussels.
  • Evans G., 2009. Creative cities, creative spaces and urban policy. Urban Studies 46(5–6): 1003–1040.
  • Flew T., 2012a. The creative industries: Culture and policy. Sage, London.
  • Flew T., 2012b. Origins of creative industries policy. In: Flew T. (ed.), The creative industries: Culture and policy. SAGE Publications Ltd, Los Angeles: 9–32.
  • Flew T., 2013. Global creative industries. Polity Press, Cambridge.
  • Florida R., 2002. The rise of the creative class. Basic Books, New York.
  • Frontier Economics. 2013. Creative industry performance: A statistical analysis for the DCMS. Frontier Economics Ltd, London.
  • Galloway S., Dunlop S., 2007. A critique of definitions of the cultural and creative industries in public policy. International Journal of Cultural Policy 13(1): 17–31.
  • Gordon I. R., McCann P., 2000. Industrial clusters: Complexes, agglomeration and/or social networks? Urban Studies 37(3): 513–532.
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  • Granger R. C., Hamilton C., 2010. Re-spatializing the creative industries: a relational examination of underground spaces and professional and organisational lock-in. Creative Industries Journal 3(1): 47–60.
  • Grzeszczak J., 1999. Bieguny wzrostu a formy przestrzeni spolaryzowanej (Growth poles and forms of polarised space). Prace Geograficzne, 173, Instytut Geografii i Przestrzennego Zagospodarowania PAN, Wrocław.
  • Heebels B., van Aalst I., 2010. Creative clusters in Berlin: Entrepreneurship and the quality of place in Prenzlauer Berg and Kreuzberg. Geografiska Annaler: Series B, Human Geography 92(4): 347–363.
  • Helbrecht I., 1998. The creative metropolis. Services, symbols, and spaces. International Journal of Architectural Theory 3(1): 1–10.
  • Hesmondhalgh D., Pratt A. C., 2005. Cultural industries and cultural policy. International Journal of Cultural Policy 11(1): 1–13.
  • Hölzl K., 2006. Creative industries in Europe and Austria: Definition and potential. Austrian Institute for SME Research, Vienna.
  • Hracs B. J., 2012. A creative industry in transition: The rise of digitally driven independent music production. Growth and Change 43(3): 442–461.
  • Hutton T. A., 2006. Spatiality, built form, and creative industry development in the inner city. Environment and Planning A 38(10): 1819–1841.
  • Johnson-Yale C., 2008. “So-called runaway film production”: Countering Hollywood’s outsourcing narrative in the Canadian press. Critical Studies in Media Communication 25(2): 113–134.
  • Karlsson C., Picard R. G. (eds), 2011. Media clusters: Spatial agglomeration and content capabilities. Edward Elgar, Cheltenham.
  • KEA. 2006. The economy of culture in Europe. KEA European Affairs, European Comission, Brussels.
  • Kolenda R., Liu C. Y., 2012. Are central cities more creative? The intrametropolitan geography of creative industries. Journal of Urban Affairs 34(5): 487–512.
  • Korenik S., 2009. Gospodarka oparta na wiedzy a duże miasta. Podstawowe relacje (Knowledge-based economy and large cities: Basic relations). In: Klasik A. (ed.), Kreatywne miasto – kreatywna aglomeracja. Wydawnictwo Akademii Ekonomicznej w Katowicach, Katowice: 40-47.
  • Lange B., Bürkner H.-J., 2013. Value creation in scene-based music production: The case of electronic club music in Germany. Economic Geography 89(2): 149–169.
  • Lazzarini S. G., Miller G. J., Zenger T. R., 2008. Dealing with the paradox of embeddedness: The role of contracts and trust in facilitating movement out of committed relationships. Organization Science 19(5): 709–728.
  • Lazzeretti L., Boix R., Capone F., 2008. Do creative industries cluster? Mapping creative local production systems in Italy and Spain. Industry and Innovation 15(5): 549–567.
  • Lewandowski P., Mućk J., Skrok Ł., 2010. Znaczenie gospodarcze sektora kultury: Wstęp do analizy problemu. Raport końcowy (Economic significance of the cultural sector: Introduction to an analysis of the problem. Final report). Instytut Badań Strukturalnych, Warszawa.
  • Lloyd P. E., Dicken P., 1972. Location in space: A theoretical approach to economic geography. Harper & Row Publishers, New York.
  • Meusburger P., 2009. Milieus of creativity: The role of places, environments, and spatial contexts. In: Meusburger P., Funke J., Wunder E. (eds), Milieus of creativity: An interdisciplinary approach to spatiality of creativity. Springer, Heidelberg: 97–153.
  • Mirrlees T., 2013. Global entertainment media: Between cultural imperialism and cultural globalization. Routledge, Oxon.
  • Mudambi R., 2008. Location, control and innovation in knowledge-intensive industries. Journal of Economic Geography 8(5): 699–725.
  • Neff G., 2005. The changing place of cultural production: The location of social networks in a digital media industry. Annals of the American Academy of Political and Social Science 597: 134–152.
  • Nesta. 2006. Creating growth: How the UK can develop world class creative businesses. NESTA Research Report. Nesta, London.
  • Newbigin J., 2010. Kreatywna gospodarka i przemysły kultury. Część 1: Kreatywna gospodarka: Przewodnik dla początkujących (Creative economy and cultural industries. Part 1: Creative economy: A guide for beginners). British Council, London.
  • Normann R., Ramirez R., 1993. From value chain to value constellation: Designing interactive strategy. Harvard Business Review 71(4): 65–77.
  • O’Connor J., 2007. The cultural and creative industries: A review of the literature. Creative Partnerships, Arts Council England, London.
  • Plum O., Hassink R., 2014. Knowledge bases, innovativeness and competitiveness in creative industries: the case of Hamburg’s video game developers. Regional Studies, Regional Science 1(1): 248–268.
  • Polèse M., Shearmur R., 2004. Is distance really dead? Comparing industrial location patterns over time in Canada. International Regional Science Review 27(4): 431–457.
  • Power D., 2011. Priority sector report: Creative and cultural industries. European Commission, Luxembourg.
  • Pratt A. C., 2008. Creative cities: The cultural industries and the creative class. Geografiska Annaler, Series B, Human Geography 90(2): 107–117.
  • Roodhouse S., 2006. Cultural quarters: Principles and practice. Intellect Books, Bristol.
  • Rumpel P., Slach O., Koutský J., 2010. Creative industries in spatial perspective in the old industrial Moravian-Silesian Region. Ekonomie a Management(4): 30–46.
  • Scott A. J., 1996. The craft, fashion, and cultural-products industries of Los Angeles: Competitive dynamics and policy dilemmas in a multisectoral image-producing complex. Annals of the Association of American Geographers 86(2): 306–323.
  • Scott A. J., 2007. Capitalism and urbanization in a new key? The cognitive-cultural dimension. Social Forces 85(4): 1465–1482.
  • Scott A. J., 2008. Social economy of the metropolis: Cognitive-cultural capitalism and the global resurgence of cities. Oxford University Press, New York.
  • Slach O., Koutský J., Novotný J., Ženka J., 2013. Creative industries in the Czech Republic: A spatial perspective. Ekonomie a Management 16(4): 14–29
  • Smit A. J., 2011. The influence of district visual quality on location decisions of creative entrepreneurs. Journal of the American Planning Association 77(2): 167–184.
  • Stam E., 2007. Why butterflies don’t leave: Locational behavior of entrepreneurial firms. Economic Geography 83(1): 27–50.
  • Stryjakiewicz T., 2010. Location factors of the creative and knowledge-intensive industries in European metropolitan regions. Geografický Časopis – Geographical Journal 62(1): 3–19.
  • Stryjakiewicz T., Stachowiak K., 2010. Uwarunkowania, poziom i dynamika rozwoju sektora kreatywnego w poznańskim obszarze metropolitalnym (Growth determinants, level and dynamics of the creative sector in the Poznań metropolitan area). Bogucki Wydawnictwo Naukowe, Poznań.
  • Takatsuka H., 2011. Economic geography of firms and skilled labor. Journal of Regional Science 51(4): 784–803.
  • Throsby D., 2001. Economics and culture. Cambridge University Press, Cambridge.
  • Throsby D., 2008a. Globalization and the cultural economy: A crisis of value? In: Anheier H. K., Isar Y. R. (eds), Cultures and globalization: The cultural economy. Sage, London: 29–41.
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  • UNCTAD, 2010. Creative economy report 2010. Creative economy: A feasible development option. United Nations Conference on Trade and Development, Geneva.
  • UNDP, UNCTAD, 2008. Creative economy report 2008. The challenge of assessing the creative economy towards informed policy-making. United Nations Development Programme, New York.
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  • Zielke P., Waibel M., 2014. Comparative urban governance of developing creative spaces in China. Habitat International 41: 99–107.
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Bibliografia
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