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2014 | 73 | 2 |

Tytuł artykułu

Heart in anatomy history, radiology, anthropology and art

Warianty tytułu

Języki publikacji

EN

Abstrakty

EN
Background: Anthropologic, artistic and medical significance of heart inspired us to undertake this multidisciplinary study. Materials and methods: Amongst the 24 obtained echocardiograms and phonograms, 1 was used for a Photoshop processing. In addition, over 20,000 artwork reproductions were examined in this study. Results: Artistic and symbolic presentation of heart started some 15,000 years ago. First heart models were made by the Egyptian and Olmec civilisations. Ancient cultures regarded heart as the seat of the soul, spirit and intelligence. First anatomical and artistic images of heart were created by Leonardo da Vinci in the 15th century, and first wax models by the Italian anatomists in the 17th century. Mediaeval religious symbolism of heart was replaced in the Renaissance and later on mainly by its role in the romantic love. Anatomical heart art continued in the 18th and 19th centuries through the works of Sénac, Cloquet, Hirschfeld and Bourgery. Some modern artists, such as Dalí, Kahlo, Rivera, Warhol, Ivanjicki, Vital, Kober and Mastrlova, created the anatomical heart images or sculptures, whereas some others, such as Duchamp, Klee, Miró, Matisse and Dine, presented heart symbol in their artworks. New radiologic technologies produce fine images of heart, some of which are similar to the works of modern artists. Conclusions: Heart biology and symbolism have had a tremendous influence on our culture, including art and medical sciences. New radiologic techniques and computer technology have produced such images of heart, which substantially improved diagnosis, but also enhanced the heart aesthetics. (Folia Morphol 2014; 73, 2: 103–112)

Słowa kluczowe

Wydawca

-

Czasopismo

Rocznik

Tom

73

Numer

2

Opis fizyczny

p.103-112,fig.,ref.

Twórcy

  • Institute of Anatomy, Faculty of Medicine, University of Belgrade, Belgrade, Serbia
autor
  • Clinic of Psychiatry Laza Lazarevic, Faculty of Medicine, University of Belgrade, Belgrade, Serbia
autor
  • Serbian Academy of Science and Art, Belgrade, Serbia
  • Department of Otorhinolaryngology with Maxillofacial Pathology, Clinical Hospital Centre Zemun, Medical Faculty, University of Belgrade, Belgrade, Serbia
autor
  • Faculty of Art History, University of Belgrade, Belgrade, Serbia
autor
  • Institute of Anatomy, Faculty of Medicine, University of Belgrade, Belgrade, Serbia
autor
  • Institute of Anatomy, Faculty of Medicine, University of Belgrade, Belgrade, Serbia

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Bibliografia

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